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August Macke

German Expressionist Painter

1887 - 1914


Self-Portrait: 1906

Self-Portrait: 1906


August Macke was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly innovative time for German art which saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. Like a true artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him.

August Robert Ludwig Macke was born in Germany on 3 January 1887, in Meschede, Westphalia. He was the youngest child and only son of August Friedrich Hermann Macke (1845-1904), a building contractor and amateur artist, and his wife, Maria Florentine, née Adolph, (1848-1922), who came from a farming family in Westphalia's Sauerland region. Shortly after August's birth the family settled at Cologne, where Macke was educated at the Kreuzgymnasium (1897-1900) and became a friend of Hans Thuar, who would also become an artist. In 1900, when he was thirteen, the family moved to Bonn, where Macke studied at the Realgymnasium and became a friend of Walter Gerhardt and Gerhardt's sister, Elisabeth, whom he would marry a few years later. The first artistic works to make an impression on the boy were his father's drawings, the Japanese prints collected by his friend Thuar's father and the works of Arnold Bocklin which he saw on a visit to Basel in 1900. In 1904 Macke's father died, and in that year Macke enrolled at the Kunstakademie Düsseldorf, under Adolf Maennchen (1904-1906). During this period he also took evening classes under Fritz Helmut Ehmke (1905), did some work as a stage and costume designer at the Schauspielhaus Düsseldorf, and visited northern Italy (1905) and Netherlands, Belgium and Britain (1906).


Portrait of Elisabeth Gerhardt: 1907

Portrait of Elisabeth Gerhardt: 1907


Thereafter Macke lived most of his creative life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy, the Netherlands and Tunisia. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth's studio. His style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period. In 1909 he married Elisabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter.


Elizabeth Gerhardt, Sewing: 1909

Elizabeth Gerhardt, Sewing: 1909
Galerie Utermann - Dortmund - Home


Portrait of Franz Marc: 1910

Franz Marc: 1910


Macke's meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay's chromatic Cubism, which Apollinaire had called Orphism, influenced Macke's art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay's Windows, combined with the simultaneity of images found in Italian Futurism. The exotic atmosphere of Tunisia, where Macke traveled in April 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces. August Macke's oeuvre can be considered as Expressionism (in its original German flourishing between 1905 and 1925), and also as part of Fauvism. The paintings concentrate primarily on expressing feelings and moods rather than reproducing objective reality, usually distorting colour and form.

Macke's career was cut short by his early death in the second month of the First World War at the front in Champagne, France, on 26 September 1914. His final painting, Farewell, depicts the mood of gloom that settled after the outbreak of war.

Quoted From: August Macke - Wikipedia


In a letter of 1911 to August Macke, Franz Marc addressed his friend with a nobilitating "August Vonderfarbe" (as who should say, Monsieur de Couleur), very aptly characterizing Macke's principal artistic concern. The two had met the year before in Munich. Their friendship, by which their art mutually profited, brought Macke in contact with the painters of the Blauer Reiter (especially Wassily Kandinsky and Alexei von Javlensky). However, Macke never shared their tendency to mystical considerations and metaphysical speculation. Rather than attributing abstract values and significances to colors as Marc did, Macke used them solely to express his own personal feelings and ideas.

When Marc praised him in his obituary as "the one who gave colors the brightest and purest tone of us all," he meant the elemental lucidity, order, and harmony that pervaded Macke's art. It was not a spiritualization of nature, but what he called a "joyful living through of nature" that determined his approach. This explains why seeing a show of the works of Matisse, in Munich in 1911, was so important to Macke, for it confirmed his own love of brilliant color and simplified form. The decisive influence on his work, however, came after he had become familiar with Cubism and Futurism, and seen the paintings of Edvard Munch. This influence was Robert Delaunay, whom he and Marc visited in Paris in 1912.

A combination of German and French influences is seen in Clown in the Circus of that year, a rare example of a decidedly graphic and caricaturist approach in Macke's watercolor work. What intrigued him in Delaunay was that artist's Window Pictures (1912), with their transparent, facetted planes of pure color and their definition of space by means of color alone. Creating "living" color, wrote Macke, and discovering the "space defining energies of color... that is our finest goal."


Clown in the Circus: 1912

Clown in the Circus: 1912


He already achieved it in his watercolor Fashion Window of 1913. The prismatic hues, complementary color contrasts, and the prominent use of lettering, in the "Mode" sign, all strongly recall Delaunay, but the effect of the whole is inimitably Macke. Unlike the French artist, he did not search for "a new reality" (Delaunay's words) behind the window but attempted to create a visual metaphor for a beautiful, sunny, yet very real and ordinary day.


Fashion Window: 1913

Fashion Window: 1913


Lady in a Green Jacket, done during a stay at Thun Lake in 1913, shows an especially harmonious arrangement of form and a fine equilibration of color. A year later, the alternation among statuesque figures, softly rendered foliage and grass, and blocky, Cubistic houses in the background, gave way to the more atmospheric approach of Man Reading in the Park (1914). Here, as G. Vriesen notes, "corporeality dissolves in light and ambient atmosphere ... without, however, forfeiting vital objective presence. An organic vibration of air, space and illumination, an emerging and passing away, a blurring and inter-merging, dominate the picture."


Lady in a Green Jacket: 1913

Lady in a Green Jacket: 1913


Man Reading in a Park: 1914

Man Reading in a Park: 1914


One of Macke's last paintings was the unfinished work that now bears the title Farewell. "With absolute clarity," Vriesen states, "the picture reflects the gloom and numbness that befell public life" before the first year of war was out, "the mood of uncertainty and disquiet which took possession of Macke as well."


Farewell: 1914

Farewell: 1914


From: 20th Century Art - Museum Ludwig Cologne

Quoted From: August Macke - Archive


Selected Works of Art by Auguste Macke


Adam and Eve: 1910

Adam and Eve: 1910
(In a Private Collection)


Afternoon in the Garden: 1913

Afternoon in the Garden: 1913
(In a Private Collection)


Anglers on the Rhine: 1905

Anglers on the Rhine: 1905
Staedtische Galerie im Lenbachhaus


Baum und Felder: 1911

Baum und Felder: 1911


Bright Women in front of the Hat Shop: 1913

Bright Women in front of the Hat Shop: 1913


Cathedral at Freiburg, Switzerland: 1914

Cathedral at Freiburg, Switzerland: 1914
Kunstsammlung NRW: Home


Children under Trees in Sun: 1913

Children under Trees in Sun: 1913
Staatsgalerie Stuttgart


Church Decorated with Flags: 1914

Church Decorated with Flags: 1914
(Location Unknown)


Church with Flags: 1914

Church with Flags: 1914
Stadtisches Museum, Mulheim an der Ruhr


Colored Composition: 1912

Colored Composition: 1912
Wilhelm-Hack-Museum


Colored Forms I: 1913

Colored Forms I: 1913


Colored Forms II: 1913

Colored Forms II: 1913
Wilhelm-Hack-Museum


Courtyard of a Villa at Saint Germain: 1914

Courtyard of a Villa at Saint Germain: 1914
Aktuell: Kunstmuseum Bonn


Curcus Picture II: Pair of Athletes, Clown and Monkey: 1911

Curcus Picture II: Pair of Athletes, Clown and Monkey: 1911
(In a Private Collection)


Drei Akte: 1913

Drei Akte: 1913
(Location Uncertain)


Farbige Formen III: 1913

Farbige Formen III: 1913
(In a Private Collection)


Fashion Shop: 1914

Fashion Shop: 1914
Westfalisches Landesmuseum fur Kunst und Kultergeschichte


Four Girls: ca 1912-13

Four Girls: ca 1912-13
SMKP: Stiftung Museum Kunstpalast: Home


Franz und Maria Marc im_Atelier: 1912

Franz und Maria Marc im_Atelier: 1912
Source: ALBERTINA - Exhibitions


Garden on Lake of Thun: 1913

Garden on Lake of Thun: 1913
Kunstmuseum Bonn


Garden Picture: 1911

Garden Picture: 1911
(In a Private Collection)


Garden Restaurant: 1912

Garden Restaurant: 1912
Museum of Fine Arts Bern


Girl on a Balcony I Tegernsee: 1910

Girl on a Balcony I Tegernsee: 1910
(In a Private Collection)


Girls Bathing: 1913

Girls Bathing: 1913
(In a Private Collection)


Girls Bathing with Town in Background: 1913

Girls Bathing with Town in Background: 1913
Bayerische Staatsgemäldesammlungen - The Athenaeum


Girls under Trees: 1914

Girls under Trees: 1914
Staatsgalerie Moderner Kunst


Grieving Woman: 1912

Grieving Woman: 1912
(In a Private Collection)


Hat Shop: 1914

Hat Shop: 1914
Das Museum Folkwang in Essen - Museum Folkwang


Im Zoologischen Garten: ca 1913-14

Im Zoologischen Garten: ca 1913-14
Source: Villa Grisebach Auktionen: Fine art auction house - Villa Grisebach Auktionen


Indians on Horses: 1911

Indians on Horses: 1911
Stadtische Galerie im Lenbachhaus und Kunstbau Munchen


Kairuan III: 1914

Kairuan III: 1914
Westfalisches Landesmuseum fur Kunst und Kultergeschichte


Landscape near Hammamet: 1914

Landscape near Hammamet: 1914
Westfalisches Landesmuseum fur Kunst und Kultergeschichte


Landscape with Cows and Camel: 1914

Landscape with Cows and Camel: 1914
Kunsthaus Zurich - das Kunstmuseum in Zurich


Market in Tunis II: 1914

Market in Tunis II: 1914

In April 1914, only months before his death, August Macke undertook his journey to Tunis together with Paul Klee and Louis Moilliet - a journey whose artistic fruits would later make it famous. Overwhelmed by the light and the colors of the North African landscape, Macke, Klee, and Moilliet began to draw and to paint watercolors on the morning of 8 April. Although Market in Tunis II […] is composed in a traditional manner, e.g. the figures and buildings are seen in linear perspective, the planar structure that has been constructed of colored segments dominates and contradicts a perspectival view. […] Macke devotes his attention to naturalistic details - such as the thick seams of the camel-hair coats (jebba) worn by the two Arabs, seen from the rear in the foreground, or the floral growths on the roofs of the buildings - and he also includes episodic events, such as the figure in the middle ground who is leaning on one of the columns supporting the balcony.

Quoted From: Goggle Art Project


Mother and Child in the Park: 1914

Mother and Child in the Park: 1914
(Location Unknown)


My Garden

Garden Gate


Nude with Coral Necklace: 1910

Nude with Coral Necklace: 1910
Sprengel Museum


<On the Street: 1914

On the Street: 1914
(In a Private Collection)


People by the Lake:1913

People by the Lake:1913
Staatliche Kunsthalle Karlsruhe - Startseite


Picnic on the Beach (Picnic after Sailing), 1913

Picnic on the Beach (Picnic after Sailing), 1913
Source: ALBERTINA - Albertina


Pierrot: 1913

Pierrot: 1913
Kunsthalle, Bielefeld


Portrait of the Artist's Wife with Hat: 1909

Portrait of the Artist's Wife with Hat: 1909
Westfalisches Landesmuseum fur Kunst und Kultergeschichte


Portrait with Apples: The Artist's Wife, 1909

Portrait with Apples: The Artist's Wife, 1909
Staedtische Galerie im Lenbachhaus


Promenade: 1914

Promenade: 1914
Staatsgalerie Stuttgart


Red House in a Park: 1914

Red House in a Park: 1914
Kunstmuseum, Bonn


Reigen: 1912

Reigen: 1912
Source: Villa Grisebach Auktionen: Fine art auction house


Riders and Strollers in the Avenue: 1914

Riders and Strollers in the Avenue: 1914
Museum Ostwall - Startseite


Russian Ballet I: 1912

Russian Ballet I: 1912
Kunsthalle Bremen


Saint Mary's in the Snow: 1911

Saint Mary's in the Snow: 1911
Hamburger Kunsthalle


Saint Mary's with Houses and Chimney - Bonn: 1911

Saint Mary's with Houses and Chimney - Bonn: 1911
(Location Uncertain)


Scene: Under the Arcades in Thun, 1913

Scene: Under the Arcades in Thun, 1913
(Location Uncertain)


Schlucht: 1914

Schlucht: 1914
(Location - I don't know.)


Seiltanzer: ca 1913-14

Seiltanzer: ca 1913-14
Source: Villa Grisebach Auktionen


Self Portrait with Hat: 1909

Self Portrait with Hat: 1909
Meschede (Westfalen)


Sitting Nude with Cushions: 1911

Sitting Nude with Cushions: 1911
Sprengel Museum


Sofie Gerhardt, Reading the Newspaper: 1907

Sofie Gerhardt, Reading the Newspaper: 1907


Staudacher's House at Tegernsee: 1910

Staudacher's House at Tegernsee: 1910
Kunstmuseum Mülheim an der Ruhr - RKM


Still life colorful bunch of flowers in front of a window: 1913

Still life colorful bunch of flowers in front of a window: 1913
(In a Private Collection)


Still Life with Stag Cushion and Flowers: 1911

Still Life with Stag Cushion and Flowers: 1911
Museum fur Kunst und Kulturgeshichte der Hanestadtd Lubeck


Street in Hilterfingen: 1913

Street in Hilterfingen: 1913
(In a Private Collection)


Tegernsee Landscape with Man Reading and Dog: 1910

Tegernsee Landscape with Man Reading and Dog: 1910
Museum am Ostwall


The Rhine near Herzel: 1908

The Rhine near Herzel: 1908


The Storm: 1911

The Storm: 1911
Stiftung Saarlandischer Kulturbesitz


Three Girls in Yellow Straw Hats I: 1913

Three Girls in Yellow Straw Hats I: 1913
Gemeentemuseum Den Haag


Three Women at the Table by the Lamp: 1912

Three Women at the Table by the Lamp: 1912
(In a Private Collection)


Tightrope Walker: 1914

Tightrope Walker: 1914
Kunstmuseum, Bonn


Tree in the Corn Field: 1907

Tree in the Corn Field: 1907
Museum Ostwall - Startseite


Turkish Cafe I: 1914

Turkish Cafe I: 1914
Kunstmuseum, Bonn


Turkish Cafe II: 1914

Turkish Cafe II: 1914
Staedtische Galerie im Lenbachhaus


Turkish Jewel Trader: 1914

Turkish Jewel Trader: 1914
Leopold-Hoesch-Museum


Two Women and a Man on an Avenue: 1914

Two Women and a Man on an Avenue: 1914
(In a Private Collection)


Unsere Strasse mit Reitbahn, Bonn: 1913

Unsere Strasse mit Reitbahn, Bonn: 1913
(In a Private Collection)


Vegetable Fields: 1911

Vegetable Fields: 1911
Kunstmuseum, Bonn


View of an Alley: 1914

View of an Alley: 1914
(Stadtisches Museum, Mulheim an der Ruhr)


Walking in the Park: 1914

Walking in the Park: 1914
(In a Private Collection)


Woman Embroidering in an Armchair
Portrait of the Artist's Wife: 1909

Woman Embroidering in an Armchair
Portrait of the Artist's Wife: 1909
(Stadtisches Museum, Mulheim an der Ruhr)


Woman in Park: 1914

Woman in Park: 1914
MoMA - The Museum of Modern Art


Woman Playing the Lute: 1910

Woman Playing the Lute: 1910
Museum of Modern Art Paris - Musée d'Art Moderne de la Ville de Paris


Woman with Child and Girls on a Road: 1913

Woman with Child and Girls on a Road: 1913
(In a Private Collection)


Woman Writing: 1910

Woman Writing: 1910
(In a Private Collection)


Zoological Garden: 1912

Zoological Garden: 1912
Staedtische Galerie im Lenbachhaus


Related Source Material:

August Macke Online

Displaying Artworks for August Macke - The Athenaeum

August Macke - Wikimedia Commons


This page is the work of Senex Magister

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