1848 - 1919
Frank Duveneck
Frank Duveneck was an American figure and portrait painter.
Duveneck was born in Covington, Kentucky, the son of German immigrant Bernard Decker. Decker died when Frank was only a year old and his widow remarried Joseph Duveneck. By the age of fifteen Frank had begun the study of art under the tutelage of a local painter, Johann Schmitt and had been apprenticed to a German firm of Church Decorators. While having grown up in Covington, Duveneck was a part of the German community in Cincinnati, Ohio, just across the Ohio River. However, due to his Catholic beliefs and German heritage, he was an outsider as far as the artistic community of Cincinnati was concerned. In 1869 he went abroad to study with Wilhelm von Diez and Wilhelm Leibl at the Royal Academy of Münich, where he learned a dark, realistic and direct style of painting. He subsequently became one of the young American painters-others were William Merritt Chase, John Henry Twachtman, and Walter Shirlaw - who in the 1870's overturned the traditions of the Hudson River School and started a new art movement characterized by a greater freedom of paint application. His work, at first ignored, when shown in Boston and elsewhere about 1875, attracted great attention, and many pupils flocked to him in Germany and Italy, where he made long visits. Henry James called him "the unsuspected genius" and at the age of 27 he was a celebrated artist. In 1878 Duveneck opened a school in Munich, and in the village of Polling in Bavaria. His students, known as the "Duveneck Boys", included Twachtman, Otto Bacher, Julius Rolshoven, and Herman Wessel. In 1886 Duveneck married one of his students who was much admired by Henry James, Boston-born Elizabeth Boott. They lived in Bellosguardo for two years where she produced a son. She died later in Paris of pneumonia. Duveneck was devastated.Frank Duveneck & Elizabeth Boott Duveneck: An American Romance, by Carol M. Osborne
Portrait of Elizabeth Boott: 1886
Elizabeth Boott Duveneck: 1888
Tomb Effigy of Elizabeth Boott Duveneck: 1891
Tomb of Elizabeth Duveneck
Lady with Fan: 1873
Whistling Boy: 1872
Other Examples of Frank Duveneck's Works
A Child of the People: 1887
A Child's Portrait
Beachwoods at Polling: 1878
Caucasian Soldier: 1870
Columbus before the Council of Salamanca
F.B. Duveneck as a Child: 1890
Fellow Artist in Costume: ca 1880
Florentine Flower Girl: ca 1886
Florentine Flower Girl: ca 1887
The Florentine Girl: 1887
Girl Reading: ca 1876
Girl with Orange Shawl
Girl with Parasol: 1900
Girl with Rake: 1884
Grand Canal in Venice: ca 1883
Guard of the Harem (Study): 1879
Harbour Chioggia
He Lives by His Wits: 1878
Head of a Young Girl: ca 1878
Head of an Italian Woman: 1887
Head of an Old Man: ca 1877-79
Head of an Oriental Woman: 1880
Heads and Hands (Study): 1879
Italian Courtyard: 1886-87
Lady in Red: ca 1885
Cincinnati's most famous artist, Frank Duveneck, was actually a Kentuckian raised on Greenup Street in Covington. In the history of American art, Duveneck's fame rests mainly on his early work, produced while studying at the Academy in Munich, Germany. Characterized by the use of dark colors, somber lighting, and expressive brushwork, Duveneck's best-known piece, The Whistling Boy, is an excellent example of his early style. By 1880 however, Duveneck was living primarily in Italy, where his approach to painting changed somewhat. Perhaps under the influence of Italian light and scenery he began to use brighter colors and more direct lighting techniques, also possibly reflecting the developments of the Impressionists. Using the strong complimentary colors red and green as well as dramatic brushstrokes, this portrait of an Italian peasant woman showcases Duveneck's later work.
Lady with a Red Hat
Landscape at Polling: ca: 1876
Leslie Pease Barnum: 1876
Little Girl in Red Dress: 1890
Mary Cabot Wheelwright: 1882
Nude Standing: 1892
Old Towl Brook Polling Bavaria: 1878
Polling Landscape: 1881
Portrait of a Boy: 1882
Duveneck was one of many Americans who studied art in Munich rather than Paris to avoid the rigid structure of French academies. This image of a young boy in seventeenth-century costume is typical of his many rapidly painted portrait studies composed during a second trip to Germany. The artist's energetic style is apparent in the vigorous brushwork and dark tones, gleaned from his German teachers and from seventeenth-century Dutch painting.
Portrait of a Fellow Artist: 1870
Portrait of a Man
(Richard Creifelds): ca 1876
Portrait of a Woman with Black Hat: 1890
Portrait of Brother John: 1900
Portrait of Emil Carlson: ca 1884
Portrait of Frances Schillinger Hinkle: 1875
Portrait of Leon Lippert: 1930
Portrait of Maggie Wilson: 1898
Portrait of Major Dillard H. Clark: 1877
Portrait of Ralph Curtis: 1872
Portrait of William Merritt Chase: ca 1876
Profile of Girl with Hat: 1878
Reclining Nude
Reclining Nude: ca 1890
Seated Nude
Sheltered Cove: ca 1915
Siesta: 1887
Siesta: ca 1887
Squire Duveneck: 1877
The Bridges - Florence: ca 1880
The Cobbler's Apprentice: 1887
The Music Master: 1879
The Old Professor: 1871
The Rialto Bridge: 1883
The Turkish Page: 1876
Venetian Fruit Market: 1884
Villa Castellani: 1887
Villa Castellani Belloguardo: 1886-87
Walter Shirlaw: ca 1873
Washerwomen - Venice (Study): ca 1885
Water Carriers Venice: 1884
William Gedney Bunce: ca 1877-78
Woman with Forget Me Nots: 1876
Source: Art Renewal Center
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